2.11 - TRIANGLE

Original airdate: November 26, 1978

Yeah, "Triangle"! Do you guys like triangles and other shapes? I sure hope you do, because this week, it's all about geometry! That's right, we're going to laugh, love, and learn right alongside the Ewings in this very special episode.

The action begins during breakfast at Southfork. J.R. goes on and on and on about Euclid's Elements between bites of bacon. He starts in on isosceles triangles and how they relate to the oil business somehow, but Lucy has had enough. "'Pons asinorum'?" she says. "Talk English, J.R., what does that even mean?"

Sue Ellen chimes in: "It means, uh, 'Bridge of Asses', Lucy." Lucy then gives a cheeky (no pun intended) (actually yes, pun intended) grin and waggles her eyebrows suggestively.

PSYCHE! Ha ha haaaaa, sorry to kill your math boner, NERDS, but the titular triangle ain't about shapes. It's about love! Well, it's not about "love" either, really. Maybe it is about shapes? I'm not really sure, to tell you the truth. I guess it doesn't matter. All I know is that there is minimal Pam to be found herein, and even minimal-er Sue Ellen; in fact, this is a Ray Krebbs-centric episode. That sounds like a nightmare recipe for disaster, doesn't it? Under any other circumstances, you'd be right to be worried. But my friends, "Triangle" is 100% country fried awesome, because it features Kate fucking Mulgrew as local singing phenom Garnet McGee! This is some Calamity Janeway shit, and it has made my life.

The episode opens with one of Garnet's scintillating performances. Pam, Bobby, Lucy, and some doofus Lucy brought are in attendance because Garnet McGee is hot hot hot. They're all shocked to see Garnet stroll on over to Ray Krebbs when her set is over, as am I. Garnet and Ray? Really? No one knew, probably because Ray has been almost entirely absent for like the last ten episodes. Bobby, Lucy, and Doofus are excited to meet Garnet, but Pam plays it cool. She already knows Garnet, see, from their days together as a couple of poors. In fact, Pam tells Bobby that Garnet is nothing more than an opportunist. Why, she even lived with a songwriter once...just for the songs. She's gonna chew up poor ol' Ray and spit him out like a piece of gristle.

But not tonight! No, tonight Ray and Garnet engage in The Act of Lovemaking. Afterward, Garnet presses Ray for some info on Southfork, and he confides in her that Southfork means oh so very much to him. He's been there for almost 20 years, saved from a life of petty crimes and skinniness by Jock Ewing. Then he tells Garnet that he loves her, and she responds by asking if he'll always be poor. She ruminates on her own life of poorness and how she desperately desires to be done with it. "The wantin's like a disease," she says as she nuzzles Ray's naugahyde belly despondently. This can only end well!

The next morning, Lucy tells everyone at the breakfast table about her dreams of becoming a singer. She asks J.R. for some help; after all, he's got connections in the Austin and Nashville music scenes, of course. But he promptly shuts that shit down. She gets no support from anyone, and her pleas of "But I want my life to be interesting!" fall on deaf ears. Actually, that's not true. Everyone hears what she has to say. But they all respond with variations of "forget it," "you'll embarrass the family," "that's absurd," "absolutely not," "no," and "fucking NO." Maybe if she'd busted out the "But I got a lot of claps in the bar that time I was forced to sing by the guy who pretty much kidnapped me, remember? Oh no wait, you were all too goddamn busy celebrating my birthday without me!" it might have worked.

Ah, who am I kidding? These terrible people would never allow Lucy to have her own life and identity! But perhaps things will work out for Lucy after all (yeah right); she tells Ray, "It's not over...not until I say it is," and you guys, I think that glower means business.

That night, there's a party at Southfork for some reason and Ray has brought Garnet as his date. The men fawn over her, but Pam is having none of it. When the two women are left alone, Pam lays it on the line: "You'll use Ray until something better comes along!"

Garnet counters with "Didn't you?" and *sniff sniff* what's that smell? Is this another Ewing Barbecue? No, sorry, it's just the char-broiled scent of Pam getting burnt. Sorry Pam, you know I love you (although what in the Victorian era hell is that hair) but Garnet wins this round of the sass-off.

"Well played, McGee...well played."

J.R. finally gets a load--an eyeload, that is--of Garnet and is immediately smitten, or at least he's immediately turned on. He asks her to dance despite the fact that Ray has staked his claim. Ray looks on all peeved-like, but let's be real. Like I said, all the men at the party are fawning over her and no wonder! She's dressed like a giant baseball for fuck's sake.

Oh and for some reason Lucy is mad at Ray for dating Garnet? Poor Lucy. If there's one character on this show I'd expect to end up committing suicide just to escape her miserable life, it's her.

The next morning, Jock summons Ray into his office to ask about his life plans. Ray tells him he's simply waiting for the right moment to ask Garnet to marry him, and of course Jock makes this all about himself. What about Southfork? Will Ray leave because he'll be starting his own family? Ray's unsure about his future, but Jock's got a plan: he hands Ray a deed to some Southfork land, solely to ensure that he'll never want to leave. He actually says that, that he wants Ray to stay at Southfork forever. I don't know about you, but all of this "stay here forever and ever" shit that Jock and Miss Ellie keep spewing makes me think of one thing and one thing only.

I mean, right? Also, I know I am showing some A+ Photoshop skills there, you don't have to tell me about it.

J.R. takes Garnet to lunch and tries to woo her into some post-lunch coitus, but she is unimpressed...or, she's smart enough to know that she should play unimpressed. No one ever makes J.R. give chase for long, so to maximize her winnings when they eventually do the Dew deed (because of course they will), she strings him along a bit and plays up the nonchalance.

That evening, we finally get an extended Garnet McGee performance and...holy shit, she's terrible!


Mind you, I may think she's terrible but clearly J.R. does not. Or maybe he does think she's terrible but not so much that he doesn't still want to get McGee in the McSack. Sadly, I am not privy to J.R.'s inner monologue, so I can only surmise. At any rate, over breakfast he sets a scheme in motion to get Ray out of the picture for a day or two by sending him to Odessa in pursuit of some amazing bull that's purportedly for sale.

Before he leaves town, Ray stops by Garnet's place; now that he's a landowner, he wants to get married right this second and he can't understand why she's not immediately excited to be his wife. She tries to explain that she's got shit to do: dreams to achieve, gigs to perform, her own life to live, etc, and she's giving him all she's capable of giving him right now. This gives Ray the sads, but not me! I love that one of the emerging themes in the series is that some women don't want to define themselves by their husbands or boyfriends. They are people! People with marginal talent maybe, but people nonetheless. Hooray for the late 70s!

J.R. is so super hot for Garnet that he's called her to his office at Ewing Oil to talk about a contract offer he's got for her. He'll use Ewing money to jumpstart her career (he's already booked studio time with a bigshot producer) in exchange for 25% of her earnings from all sources...and "exclusive use of her services" for as long as he wants. He basically wants to make her a country-croonin' hooker! But Garnet McGee is not outraged, nor is she offended. Remember, she's got that wantin' disease, and if sleeping with J.R. is the cure, then she'll do it. "Ten percent," she counters, and they smile deviously at each other. Game recognizes game, y'all!

(Meanwhile, in Odessa, Ray is just discovering that the bull deal was nothing but bull crap. He's been had! And so he heads back to Dallas...dun dun dunnnnnnn....)

Lucy shows up in J.R.'s office while he's "down in the labs" (awesome, I so want to see the Ewing Oil labs). She takes the opportunity to do a bit of snooping and reads the Garnet McGee contract that's just a-layin' there on his desk. We get a good long look at it, just in case we forgot the terms that were laid out 30 seconds prior.

When her uncle returns, Lucy pleads her case once more: won't he help her get a foot in the door of the music business? And once more, J.R. tells her no dice. Then she brings up the contract she just peeped; she doesn't want to blackmail him, but come on man, really won't he help her please? J.R. tells her that there's nothing untoward in that contract, so she can tell whomever she wants all about it...and besides, if she does tell, well then she'll be just like her mother: "a scheming, blackmailing little tramp." I'm pretty sure my face looked just like Lucy's when he busted out that little buttnugget of mean.

Sorry, I don't know what a "buttnugget" is...I certainly don't want to imply that J.R. took a dump at his desk

That evening, J.R. heads to Garnet's to collect his first installment of nookie. Oh, and remember that he's got a pregnant wife? Yeah, she's been in bed all day with a case of the baby barfs. Miss Ellie kind of tries to talk to her and Sue Ellen plays the "patient wife" card and they both obviously know that he's out cheating on her at that very moment and it's pretty depressing.

J.R. and Garnet enjoy some post-coital poker (as you do) and bond a bit over their mutual greed; she's greedy because she grew up with nothing, and he's greedy because he wants to be. Then J.R. tells her she needs to dump Ray, and he latches onto her neck to initiate nookie installment #2, and it's just the grossest thing. Garnet seems to have one of those stark "What the fuck is my life?" moments, but it quickly passes.

Ray has finally returned to Southfork and he's gearing up to head into town when Lucy shows up. Ah geez, you guys, she does the tiny sex goblin thing again. Lucy, no! I thought that was all behind us. Way, way behind us!

To his credit (and my relief), Ray begs off, reiterating that their tryst is over for good, that it was a mistake, blah blah blah. In her angry disappointment, Lucy blurts out the news about the contract and tells him that Garnet and J.R. and out there somewhere having a tryst of their own. An ominous piano plays and Ray storms out! Lucy starts yelling and shrieking about how she didn't mean to say anything and oh no disaster is imminent. Pam comes out to see what all the fuss is about, and Ray says that while Bobby may have taken Pam from him, J.R. ain't gonna take Garnet. It's so dramatic!

Ray speeds off into the night. Pam tells Bobby what's up and he speeds off after Ray.

But Bobby's not fast enough! Ray shows up at Casa de the Most Hideous Fucking Wallpaper Ever and punches J.R. He punches him in the face! He punches him in the face twice! He punches him in the face twice and then starts strangling him! Ray has lost it, you guys.

Bobby arrives before Ray can actually murder J.R., but man, Ray is done. He is sweaty and he's done!

He's fed up and totally tired of the Ewings using their Ewing money to buy whatever and whomever they want. "I'm clearin' out!" he says, and clear out he does. Ray clear out! Ray mad! Ray so mad he...he...

"Rarrrrrr!"

Bobby catches up with him outside and plays the "What about Jock?" card, and again, to Ray's credit (and my relief) he tells Bobby that he don't owe Jock shit. But then J.R. comes out and tells Ray he has to leave Southfork by morning, so Ray is all "Well if you want me to go, then I'm not goin'!" If J.R. wants Ray gone, he can try to get Jock to fire him. And so Southfork maintains its hold on another victim.

The next morning, it's a new day, because that's how time works. But also it's a new day in Ray's brain, you know, like with a fresh outlook or whatever. Holding his deed, he gazes out over his little chunk of land with pride. Lucy rides up and apologizes, and asks if they can be friends because she really doesn't have any. To make this sad moment even sadder, the camera pulls back and we see the land Ray has been looking at, the parcel given to him by Jock as a reward for 20 years of service. It's some dirt and a tree! So very generous. But no matter. Like everyone else, Ray will be here forever...and ever...and ever...

2.10 - ACT OF LOVE

Original airdate: November 19, 1978

I tell you what, it's more like "Act of Everyone is an Adulterer" up in here, because there's a lot of...you know...adulterin' to be adulterated. But we'll get to that in good time. For now, there are far more important things going on, such as OLD PEOPLE NEWS: THE MORNING EDITION. This just in: Jock Ewing rises early, enjoys juice as creepy wife looks on.

It's just another Manic Whateverday at Southfork! Jock drinks his aforementioned juice, Pam and Bobby both scramble to get to work, and Lucy and Sue Ellen argue about whether or not Lucy should have her own car. This argument doesn't work out in Lucy's favor, but oh, it so does work out in mine. First, their harping on each other so early in the morning nets us a glorious Pam eyeroll, performed daringly on-the-fly...with juice.

Then a few moments later, as Lucy whines to Jock, Linda Gray nearly breaks character.

She pulls it together, but the whole scene is really strange. It's seemingly one long, continuous take as actors move in and out of frame and the camera pans around trying to catch it all; it's both very theater-feeling and very modern-feeling. Kudos to the director for trying something new, but it's jarring. Way more jarring (and depressing), though, is that the bulk of the scenes at Southfork are now filmed on a soundstage. Why, those fields, they're not fields...they're matte paintings! Sure, sure, it saves costs. But I care not for costs! I care because everything feels flimsy and fake and it sucks. I took those location shots for granted. Damn you, me!

But enough about that, it's lunchtime. You know what that means: Cliff is having lunch. Or, more to the point, he's waiting for someone to join him before he lunches. Pam is having lunch at the same restaurant with some girls from The Store, and as she and her brother chat a bit, in walks Sue Ellen. GASP this is person Cliff was waiting for! Pam then chats with her for a bit, and it's super awkward, not least of all because what in the Grimace hell is Sue Ellen wearing.

Sue Ellen pulls the ol' "I was just leaving" bit, but she and Cliff exchange some meaningful "Aw dang, we were gonna do it" looks before she leaves.

Meanwhile, Bobby is engaged in some meeting and something something business funds blueprints business it's all too much for my woman brain. But I don't even care because Bobby's meeting with Nicolas Coster, who of course played Lionel Lockridge (son of Minx Lockridge) on television's Santa Barbara.

Santa Barbara was the shit! Hmm, maybe I should start a Santa Barbara blog next...

*sees there were 2137 episodes*
*shoots self*

J.R. is off to Washington, D.C. for a few days to look after the Ewings' political interests somehow. Later that night, after everyone is asleep, Sue Ellen calls Cliff Barnes to let him know that come the next morning they'll be free to enjoy several days' worth of...of...well, I'm not sure exactly, but the saxophone music that plays hints that it will be something sexy!

The next day at Ewing Oil, Bobby is something something businessing again, but this time I can understand some of the words: he's going to throw a party at Southfork to impress someone who has money or something, and Pam absolutely, onehundredpercently must be the hostess. The whole deal hinges on it, which obviously makes total sense.

I was right! Sue Ellen and Cliff are totally engaging in sexnanigans! Sue Ellen pulls out all the stops, including booze and a black negligee. Also, they have apparently been meeting in secret and gettin' it on for six weeks now, what the heck! Why didn't they tell us?

(Aside: did you know Mrs. Robinson's famously sexy leg on The Graduate movie poster actually belongs not to Anne Bancroft, but to Linda Gray? It's true, dazzle your friends with trivia!)

Pam is freaking out over the very important party because she's never thrown a very important party before. She asks Sue Ellen to lunch to ask her advice, but Sue Ellen is cranky. She's wasting valuable doin' it time having lunch with Pam! She consoles herself with some booze, but not before being snarky with Pam. Sue Ellen needs to relax...she's been Cliffmatized and if she keeps acting up, it's only gonna be a matter of time before someone finds out.

In D.C., J.R. is having his own weekend tryst with an anonymous blonde and OH GOD HE'S WEARING A SATIN SHORTIE KIMONO WHY

Sue Ellen and Cliff take a little walk and try to assess this affair they're having. Do they really like each other, or are they only canoodling to get back at J.R.? Cliff picks her a hideous flower and tells her that's what she can expect from him because he ain't rich. Sue Ellen agrees ("You Barneses are disgustingly poor!") but she's into it regardless.

Over at The Store, Pam gets a promotion, hooray Pam! She's a buyer now, see, which means she absolutely must go to Paris for a few days to see some fashion shows. In a shocking twist, she has to leave for Europe two days before Bobby's very important party. "Uh oh," I assume Pam thinks to herself.

The dinner table is half empty that night. J.R. is away on business having an affair, Sue Ellen is out with girlfriends having an affair, and Lucy is staying over at a friend's having and affair staying over at a friend's. This is one night out of a million nights, but Jock laments that the family is falling apart and as always I want to puke.

Pam tries to talk to Bobby about the impending trip to Paris, but then she remembers that the very important party is very important and she wimps out.

Sue Ellen visits the doctor the next day because she's been feeling out of sorts. Perhaps her Cliffmatization has led to difficulties and/or complications! Yes, we all know that the blood test results will reveal that she's come down with a case of the babies, but this shit has to get dragged out so we wait.

Bobby goes to see Pam's boss Liz at The Store and asks for her assistance in picking out a dress for Pam, for she has a very special occasion coming up. In a classic Three's Company-style mix-up, Bobby thinks Liz is talking about the very important party, and Liz thinks Bobby is talking about Paris. Of course, Bobby doesn't even know about Paris...until Liz tells him when they're leaving. "Uh oh," I assume Bobby thinks to himself.

Back at Southfork, Lucy is still bitching about her lack of wheels. Well, I should say her lack of a car...I don't mean she laments that she does not have wheels on her person, but holy shit that would be so awesome if she did.

Sue Ellen gets a phone call. It's the doctor and SURPRISE she's pregnant. Yup, after allllllll this time of fruitless fornication with her husband, she's become a human nesting doll. Everyone is happy, it's finally happened! Jock calls J.R. and when Sue Ellen tells him, even he seems happy about it, promising to book a flight home in the morning.

"I love you, J.R.," Sue Ellen says.
"Take care," he replies.

Pam and Bobby have a chat that night. He hopes that the baby will ease tensions between him and J.R., that maybe they can act like brothers for once. Then they talk about how much Pam loves her job. She says it makes her feel good, like a real person, and that next to him it's the most important thing in her life. This time, Bobby might just get it, you guys. Progress.

The next day, Sue Ellen takes another stroll with Cliff to tell him about the baby and to break off the affair. He's not convinced that the kid isn't his, but he says that it doesn't really matter. She ain't gonna give up those sweet Ewing dollas for the likes of him, but he does really care for her regardless. And she totally cares for him, or at least she cares for those GD awful flowers.

That night, Bobby presents Pam with the dress he bought her for...her trip to Paris! Yes, he wants her to go to Paris. But Pam is all "Thanks, but I want to stay here for the very important party." Wow, this is some O. Henry shit!

Meanwhile, Sue Ellen celebrates her pregnancy in the traditional manner by having some booze. Like Cliff, J.R. finds the whole timeline dubious. Now she's pregnant? Now, after all this time? When they hardly even fornicate anymore? She assures him that heh heh heh, she's been "just as faithful" to their marriage vows as he has, and really, the only thing he cares about is a Ewing heir anyway.

J.R. slaps her (!) and when he tells her that he'll do whatever he wants, Sue Ellen counters with an oh yeah, motherfucker?, saying "I finally have something that you want." Whether or not it's his baby, he's stuck claiming it as his own to save face. "Chances are it's yours, J.R.," she says and walks out. Aww yeah, Sue Ellen's got the power. Finally. It won't last long, but man is it nice to see a freeze frame on J.R.'s face when he's put in his place. "Uh oh," I assume J.R. thinks to himself.

2.9 - SURVIVAL

Original airdate: November 12, 1978

A plane crashes in a swamp. Tears squirt out. Faces get slapped. Hugs get hugged. This week's episode has all the drama of a Lifetime movie, and I am not complaining one little bit.

"Survival" begins in New York City, where Pam is on a business trip with Liz Craig. Bobby calls and gives her grief because she didn't accompany him on his business trip, and she's working way too much, and wah wah he's such an insecure manbaby I could puke. Why can't he see that Pam is a True Professional Lady? She doesn't mess around! She's so competent, she even brings every pen she owns and her glass rolling pin to the hotel on this business trip.

I mean, I assume Pam brought all those pens. If I'm wrong, I don't wanna be right! Or something.

Their business meetings concluded, Bobby and J.R. are about to leave New Orleans in a puddle jumper when the pilot tries to beg off. There's a mighty storm a-brewin' out there, and it could mean trouble! J.R., however, waits for no man. J.R. waits for no weather! They take off even though it's a bad idea, and I, for one, am glad. The stormy weather really brings out the evil in J.R.'s magnificent eyebrows.

At Southfork, Jock is told for the millionth time by his doctor and Miss Ellie that he's still recovering from his bypass and he needs to "go easy" lest he keel over. Meanwhile, LUCY'S HAIR. WHAT IS IT AND WHY.

"Yeah, I tied a bunch of weeds from the yard in my hair. I'm so fucking bored in this house. Please kill me!"

Cliff Barnes is at his office doing lawyer stuff when guess who walks in. Here's a hint:

Wait, that's not a hint, that's the answer. Yes, Sue Ellen has shown up at Cliff's, and when she walked in I let out one of those "ooooOOOOO!" sounds you heard from the audience on, like, Married With Children whenever someone did or said something naughty.

Supposedly she's there to enlist Cliff in helping her track down the Black Market Mama that J.R. drove out of town because Sue Ellen still wants that baby. Cliff says there's absolutely no way she can adopt a baby without J.R.'s consent, but in order to cheer her up he'll take her to lunch. ooooOOOOO!

By the way, there's been a sort of running theme in Dallas so far, that Cliff is really into lunch. I love this.

Oh hey, that plane is going down, J.R.'s menacing eyebrows and all! Uh oh. I sure hope that two of the show's major characters survive!

Miss Ellie gets a call that the plane has dropped off the radar and has most likely crashed in a swamp. She immediately launches Operation: Really Fucking Bad Idea, which entails no one telling Jock lest he, you know, keel over from the news. Miss Ellie commands everyone to go on Emotional Lockdown and pretend that nothing is wrong. Yes, even you, Pam, who (uggggghh) returned home from New York early to assuage the feelings of your manbaby husband. Sure, he's probably dead...but wash away your Sadness Tear® and act like everything is fine! That's really what Miss Ellie tells her to do. Miss Ellie is still the absolute worst.

Okay, maybe this Dollar Tree Carmen Sandiego-meets-Charlie Chaplin hat is the worst. But still, Miss Ellie sucks!

Sue Ellen and Cliff are having a grand ol' time at lunch. She's boozing it up, he's charming it up, and they're primed and ready for some Afternoon Delight, nawmean?

Their plans to do it are thwarted when Sue Ellen calls Southfork; she was hoping to tell J.R. that she'd be home late, but now he's inconveniently (and inconsiderately) gone missing. She has to rush home, but she promises Cliff that they'll have their afternoon "some other time." ooooOOOOO!

Dinner at Southfork that night is super tense. Everyone has to scramble to keep Jock in the dark. They tell him that the storm over New Orleans kept Bobby and J.R. there for another night, and that phone lines there are down. It's bad enough that Jock is clueless about what's really going on, but Pam and Sue Ellen being forced to engage in small talk? Miss Ellie, what a twisted game you play! Well, Sue Ellen doesn't seem to mind so much so long as the booze is flowin'.

flawless queen

Lucy has snuck off to make a few calls. She's hoping to track down her father Gary because she thinks he should be here in this time of crisis. Sue Ellen catches her and hangs up the phone, and then they get into it. Sue Ellen calls Lucy's motivations into question, thinking she just wants her father to take over Southfork if J.R. and Bobby are dead. Lucy reminds Sue Ellen that she's not actually a Ewing, and if her husband is dead she'll be thrown out on her ass. There's a lot of scowling on both sides. It's pretty great.

Later, Ray forms a posse to keep reporters off of Ewing property. Miss Ellie reminds Jock yet again that he needs to take it easy.

And Sue Ellen is pretty blitzed.

Pam comes in to check on her, but Sue Ellen is in full-on drunken soliloquy mode, which nets us two eyerolls from Pam. In other words, I love this scene so much.

While Pam eyerolls are the best, I must admit that Sue Ellen's speech is pretty insightful. She realizes that her entire identity is based solely on her husband: everything she has and everything she is is because of J.R.. She's nothing except "Mrs. J.R. Ewing" and he doesn't even love her. If she loses him, she loses herself. I tell ya, it's the most self-reflection anyone on this show has ever (or probably will ever) engage in!

Then Sue Ellen takes it too far and starts projecting her insecurities and self-loathing onto Pam, calling her a gold digger and saying she's never had anything that a man didn't give her. Pam is all WHAT? BITCH I WORK and smacks her. She smacks her! And whoa...Pam's final Not the One form is fucking terrifying.

A pesky reporter finds a way past Ray's posse and shows up at the front door. Miss Ellie brandishes both a shotgun and righteous anger to shoo him away...and while the shooing works, Jock has overheard everything. Miss Ellie cops to lying to him, and although he gets teary-eyed, Jock does not, in fact, keel over.

Miss Ellie blah blah blahs at Pam about her sons and how wonderful they were and surely still are while Jock springs into action by, uh, telling Ray to spring into action. Ray's gonna go up in a chopper, see, and find those boys. He just needs to look for anything in a group of three--three rocks, three sticks, three evil eyebrows, etc--because "put things in a group of three" is a survival tip he gave J.R. when he was a kid.

You know, that info might have been useful to the search party that started looking for the plane for 20 hours ago. It might be useful to them now! But only Ray gets to hear it, because I guess Jock wants to keep even the search and rescue operation in the family.

But not the whole family! Lucy brings up calling Gary to fill him in on his missing brothers, and Jock basically tells her to go screw.

But no matter! Super Ray finds J.R. and Bobby in no time. No word on the pilot, so I guess he's either dead or alive depending on whether you're a glass half full type or not. But really, the fucking plane was totally obliterated and none of them would have walked away from it in real life. I mean:

But walk away they do, and the boys return to Southfork looking not all that much worse for wear.

Everyone is happy for the moment. For some reason Miss Ellie says, "Maybe now we can be a family again!" and Sue Ellen gives her the best "Dafuq?" face of all time.

I so, so wish the episode had ended with a freeze frame of that, but it goes on for another minute as everyone goes inside and Lucy scoffs at the idea that J.R. might need anything from his wife. It's a weird downbeat ending, especially after all the high-stakes drama throughout the episode. Not that anyone with half a brain would ever think that Bobby or J.R. would die in a plane crash in a swamp, of course. I'm talking all that booze, all the tears, all the slapping...what a rush!